TERI TOMPKINS - Brief Bio
Teri Tompkins is an award winning artist and teacher from St. Augustine, Florida, and the author of The Master Artist Within: The Art and Science of Redirecting Your Creative Energy. She is also the Artist in Residence at Flagler Hospital, where she provides art classes to those dealing with cancer. Tompkins creates large, colorful, and environmentally inspired paintings for public spaces that are designed to engage, encourage, and enlighten her audience. Figures, water, animals, graphics, and a sense of humor are orchestrated to tell a story of hope and redemption in her paintings.
Teri's portraits and landscapes are usually painted from life - her style often inspired by many heroes from Renaissance painters to American illustrators. Her many plein air adventures include Epcot's Art in the Garden Invitational, the National Park Centennial Plein Air Exhibition at the Lightner Museum, and the annual St. Augustine Plein Air Paintout.
Teri Tompkins, daughter of jazz pianist Ross Tompkins, is represented in St. Augustine by Neff Jewelry and Gallery, at 7 Rohde Avenue.
Art-related education includes:
University of California Los Angeles
Santa Barbara City College
Scuola Leonardo da Vinci (Florence)
University of California Santa Barbara
Peace Theological Seminary (focus on creative energy)
Hank Pitcher (plein air)
Daniel E Greene (portraits)
Leonard Wren (plein air)
Morgan Samuel Price (plein air)
Caught with my daughter and grandchildren by a journalist in Germany.
Posted January 19, 2017 01:47 pm
By KARA POUND Correspondent
From St. Augustine to Rome, and Back Again
Local artist let her love of art take her around the world, now she's back home
Teri Tompkins followed her love of art around the world. She has lived in Rome and, most recently, California. Now, she has returned home to St. Augustine.
As a teenager, Teri Tompkins traded her St. Augustine upbringing for the artistic richness of Rome.
“I was working as an au pair, which afforded me the ability to study from the wealth of masterworks on every street,” she says. “I spent hours at the Vatican each weekend, studied Caravaggio in churches and gawked over centuries of paintings.”
Tompkins, who studied illustration, painting and art history in California, has since returned to St. Augustine.
Her paintings — a collection of positive and hopeful works — are shown at Neff Jewelers. Tompkins also runs a Monday night figure session at the St. Augustine Art Association.
Compass caught up with the multifaceted artist to chat about returning to her roots, painting Northeast Florida and portrait work. Here’s part of that conversation.
Compass: Why did you move back to St. Augustine in 2005 after living in California for almost 25 years?
Teri Tompkins: I have always loved my hometown, and I’ve always appreciated how special it is — even when my hunger for learning and adventure took me to other places. The water and coastline on the West Coast is quite interesting to paint, but here, it is far more fun to be in the water. I also love that I can ride my bike just about anywhere.
Compass: What are some of your favorite places to paint in Northeast Florida?
T.T.: First of all, my very favorite places to paint are top secret — especially the places where I am not supposed to be painting. Anastasia State Park is pretty fantastic early in the morning. Up and down the Intracoastal Waterway, there are so many beautiful spots that require some exploration to find. And, of course, the way the light hits the old architecture in town at different times of day is extraordinary.
Compass: Tell me about the women you paint in pieces like “Guardian of the Honey Bees” and “Wildflower Renaissance.”
T.T.: The angelic figures in my environmental “Guardian” paintings are not portraits, but rather metaphors for the guardian or protector in each of us. I take the protection of our environment and creatures very seriously, and painting the world as healthy and cherished is a kind of visual prayer. I am lucky enough to have some very beautiful friends and family members who regularly get roped into modeling for me. My niece Kelsey posed for “Guardian of the Honey Bees,” my granddaughter Jesse posed underwater for the ocean Guardians, and my daughter, Rain, posed for “Florida Native Butterflies.” Models typically pose live, then I take reference photos to see me through the many layers of paint required to complete the work.
Compass: I was looking at the “Portraits” page on your website. Are those all commissioned works?
T.T.: My first love may be portrait painting, and I have been accepting portrait commissions for years. When teaching portrait classes, I sometimes ask a friend to pose in exchange for the study when we are done. Between commissions, I beg family members to model.
Compass: How is plein air painting different from painting from a photo or memory?
T.T.: There simply is no substitute for painting from life. Whether painting a human, a bowl of fruit or an outdoor scene, you perceive things that a photograph just cannot tell you. As handy as a reference photo can be, they do not tell the whole truth — especially digital photos that translate information through a little computer. Photos are great for completing work when the subject cannot be present, or the cloud formation has moved on. In nature, the artist can feel, see, hear, smell and sense things, and those influences appear on the canvas like magic.
COMPASS MAGAZINE ARTICLE Jan 2017